Come October and arrive nine days festival and six
days holidays! Getting a break as long as one full week from routine humdrums
of boring daily life! I would be crazy if that wasn’t a reason good enough for
me to rejoice during my schooldays! Growing up in the northern plains of
Allahabad and almost having zero connection with Bengali tradition, the only
enchanting part was to make the most out of Durga Puja
holidays, which usually came after harrowing
half-yearly examinations.
While few non-Bengali parents sat zeroing upon
some exotic travel destination to hit during this rewarding week, mine
wisely made it a point to make us experience every bit of the festival, year
after year, in a manner no lesser than a Bengali would. My allegiance to the
festival thus started.
The visuals of the Pujo times during those days stand crystal clear in memory. Our
good old small city stood decked up with Puja
Pandals at every second open clearance. I was told each Pandal was endorsed by a core committee
of Bengalis who worked for months to bring out the best out of Pandals,
embellishing it with vivid architectural styles, breathtaking creativity and
scheduling daily events with fun-filled programmes comprising of contests,
quizzes, Robindra-shongeet and
showcasing talents that lasted entire nine days. The nag to put up the best
show was driven by motivation to win the rolling trophy for 'Best Pandal' in the
city.
While some Pandals were aesthetically crafted with
customary Bengal motifs and designs, many were innovatively inspired from
current happenings around the world. It
didn't surprise me to note new additions almost every next year, like
Pandal themes on ‘Tribal Welfare’ in which Devi Durga wore the Garo mini skirt, one supporting ‘Mission
Go-Green’ donning Devi’s dress in leaves and shoots, a Pandal displaying
life-size cut-outs of freedom fighters and one even flaunting Bollywood with Shahrukh Khan and Aishwarya Rai’s
posters all over the marquee.
As night fell on the Pujo Pandal, it incarnated to
a literal cultural hotspot. Full of energy, high-end fashion, food-fiesta,
music, late-night fun mood, jabbering and gossips, our otherwise complacent
city jostled with joy all night long. It
is hard to believe that with overcrowded venue bumming with high spirited
people, how a sense of discipline always took over and there was hardly any
pushing or manhandling while trying to catch a glimpse of Maa Durga’s protimaa.
From my back to back visits to Durga Puja
functions, I have come to deduce that food is central to a Bengali as much as
dressing-sense is. Visiting a Puja Venue and coming back without having popped
in paani puri or jhaal-muri or Indo-Chinese chowmein from the street vendors
queuing the roadside, meant a disgrace to the Bengali tradition of ‘must-have reech phood’! Whenever I bumped into a
Bengali friend who would have made her temporary home for six days in one of
these Pandals, the first question she’d ask was
not how fascinating did I find the Puja but whether I had tried the
famous phish chop, roshogulla and bhishon bhalo coffee from one of the stalls?
Nevertheless, while most Bengalis in the Puja
venue were found chatting and gossiping about their ‘Baadi’ and ‘Saree’, my eyes enduringly came to rest on the
beautiful ladies and girls around. Each one glowed with the precisionist
perfection of draping a sari, putting on big bindi, wearing ethnic pieces of
enviable jewelry and eyes highlighted with kohl, yet the most outstanding piece
of their look would be a spark of grace, punctuated with spasms of boisterous
laughter. Bengali women may not be the most beautiful on earth but they are
certainly endowed with hypnotic looks which usually brims over during the Puja
period. Of course, all this apart from the month long preparation by them which
includes an exhaustive day and night
therapeutic shopping done for themselves and the whole bunch of family.
Though the occasion would be deeply religious, the
Puja Pandals offered the best meeting places for would-be couples and dating
pairs, sometimes even sparking matrimonial connections. Is it difficult to
guess that where young girls and boys looking their best get together for nine
days and nights, it will be just about the Puja part?
On the sixth day of the festival, when the public
would get to see Goddess Durga get unveiled the first time, a strange
excitement took over. Suddenly the frivolous fun and merry making changed to a
deeply devout and gratifying experience. My favourite part of the Pujo was
always eating bhog served at noon and watching the dhakis beat their drums and do dhunuchhir naach with torch lit with a frgrant dhun that filled us all with mystical aroma. The rhythmic beating
that gradually rose to a high crescendo filled me with immense powerfulness,
bountiful love and ecstasy. A kind of pleasure that can only be best felt! Six
days slipped like sand from the hand as if we lost touch with time, immersing
ourselves in joyful days, wishing it never got over.
Alas! Amidst pompous fanfare and women playing sindoor, suddenly came Doshomi, the time to let the Goddess go.
When I sat on the ghats of river Ganges watching the last rites of Visarjan, my attention stopped at the
beautifully sculpted face of Goddess Durga. How behind the drums beaten by dhakis, her beautiful big eyes, wavy
black hair and crafted lips gradually sank under water to melt into a muddy
mesh, leaving behind everyone somber in goose-flesh. There on the banks of
river Ganga, were hundreds of teary-eyed worshippers half drenched in the holy
mud, bonding with each other through strings of rich cultural unity, hardly
caring who was a Bengali or non-Bengali!
_____________________________________________________________________________ [Originally published on The Huffington Post].